Star Wars: The Ultimate Soundtrack Collection CD box set review
Sony Classical’s “Star Wars: The Ultimate Soundtrack Collection” is the music
label’s third box set (after its 2004 DVD Companion collection and 2007’s “The
Music of Star Wars: 30th Anniversary Collector’s Edition”) of music composed
and conducted by John
Williams. Released in January to coincide with the theatrical run of
Lucasfilm’s “Star Wars – Episode VII: The Force Awakens,” this limited edition
box set marks the first time that all six soundtracks from the
Original and Prequel trilogies are released together.
The Disney-owned official Star Wars website first
announced the release of “Star Wars: The Ultimate Soundtrack Collection” in its
September 25, 2015 post. Per StarWars.com, the six scores come in three formats:
vinyl LP, audio CD, and digital download.
“The sweeping, dazzling music that fueled
Star Wars will be reissued by Sony Classical in three new, definitive editions
— Star Wars: The Ultimate Vinyl Collection, Star Wars: The Ultimate Soundtrack
Edition, and Star Wars: The Ultimate Digital Collection. All composed by John
Williams, these unique collector’s sets will be released worldwide January 8,
2016.”
For the CD reissue, Sony Classical decided to reprise
what it did with the 2007 “The Music of Star Wars: 30th Anniversary Collector’s
Edition” and expand on it. According to StarWars.com, “‘Star Wars: The Ultimate
Soundtrack Edition’ includes the original six soundtracks in mini-album
jackets’ which replicate the artwork from the original LP albums of “Star
Wars,” “The Empire Strikes Back,” and “Return of the Jedi,” as well as those
from the 1999-2005 CD releases of the Prequels’ scores.
The 11-CD box set also
comes with “Star Wars: A Musical Journey,” a bonus DVD that was originally
released with 2005’s “Revenge of the Sith” soundtrack album.
In addition to the 10 music-only discs, the set
includes a bonus CD with interviews with composer John Williams and actor
Harrison Ford. Williams discusses his musical career, while Ford talks about
his iconic role as Han Solo and how “Star Wars” affected his life.
“I have always felt privileged to have had
the opportunity to compose music for the ‘Star Wars’ films. So much of what we
composers do can be ephemeral and quickly forgotten, even by ourselves, and
it’s particularly gratifying to have some of one’s work linger in people’s
memories. The ongoing affection for these ‘Star Wars’ films and their music
continues to be one of my greatest joys.” – John Williams.
As if that wasn’t enough, Sony Classical added a
collectible poster and three stickers that reproduce posters from the Original
Trilogy.
Is “Star Wars: The Ultimate Soundtrack
Collection” Worth Buying?
Although this isn’t the first Sony Classical recording
to present music from the first six movies in one place (the rather lackluster
“Star Wars: The Corellian Edition” holds that dubious honor), it is the first
box set that contains the six original soundtrack albums.
For listeners and “Star Wars” fans who have never
owned any of the previous editions of the soundtracks, “Star Wars: The Ultimate
Soundtrack Collection” is a good deal. The 10 CDs of music-only material
include the complete scores to “Star Wars” (aka “Episode IV: A
New Hope”) and its two sequels, “The Empire Strikes Back” and “Return of the
Jedi.” These three albums present almost every track of John Williams’
brilliant scores as they were heard in the films, without the 1977-1983
soundtracks’ “concert hall” edits and in chronological order.
The only complaint many fans may have is that Sony
Classical merely replicated the 1997 RCA Victor soundtracks from Lucasfilm’s
still-controversial Special Editions of the Original Trilogy. That means that
listeners who want to hear “Lapti Nek” (a disco-style song written by Joseph
Williams, John’s son) and the original Ewok celebration song from “Return of the
Jedi” (co-written by John and Joseph Williams) will have to look elsewhere. Per George Lucas’s express
wish, the Special Editions are the official versions of the movies, so those
two tracks are non-canonical.
For die-hard Williams’ fans, though, the biggest
disappointment may be found in the content of the three Prequel Trilogy-derived
CDs.
In contrast to the Original Trilogy’s Death Star-sized
cache of musical treasures, Sony Classical opted to simply reissue the one-CD
releases of the albums from “The Phantom Menace,” “Attack of the Clones,” and
“Revenge of the Sith.”
Although John Williams’ music for the Prequels is just
as good as the scores he composed for the 1977-1983 “Star Wars” Trilogy, the
arrangements in the three CDs are neither comprehensive or presented
chronologically. Instead, Williams and his collaborators (editor Ken Wannberg
and mixer Shawn Murphy) opt for the “Cliff’s Notes” approach of splicing tracks
from different sequences in the movies and giving listeners musical samplers.
That's not to say that the concert hall-type tracks
aren't aesthetically pleasing. They do sound nice; “Anakin’s
Theme” from “The Phantom Menace” and “Across the Stars” from “Attack of the
Clones” are the most beautiful stand-alone themes from the Prequels, but they
are concert hall arrangements edited from the end title sequences from Episodes
I and II.
Sony Classical should have gone the extra mile and
reissued the now-rare two-CD Ultimate Edition of “The Phantom Menace” score.
Those complete recordings must exist somewhere in the
company’s archives. Sony Classical should also have created Ultimate Editions
of the scores from “Attack of the Clones” and “Revenge of the Sith.” If the
label had done that, then the title “Star Wars: The Ultimate Soundtrack
Collection” would be accurate.
Still, this box set is a decent offering. John
Williams’ music for the “Star Wars” saga is brilliant, and even the somewhat
disappointing Prequel soundtracks have their fair share of melodic magic. The
packaging is nice, too; it adds a touch of visual nostalgia for fans who owned
the original vinyl LPs from the 1977-1983 films.
“Star Wars: The Ultimate Collection”
DISC 1 – Episode I: The Phantom Menace
- Star
Wars Main Title and the Arrival at Naboo
- Duel
of The Fates
- Anakin’s
Theme
- Jar
Jar’s Introduction and the Swim to Otoh Gunga
- The
Sith Spacecraft and the Droid Battle
- The
Trip to the Naboo Temple and the Audience with Boss Nass
- The
Arrival at Tatooine and the Flag Parade
- He
Is the Chosen One
- Anakin
Defeats Sebulba
- Passage
Through the Planet Core
- Watto’s
Deal and Kids at Play
- Panaka
and the Queen’s Protectors
- Queen
Amidala and the Naboo Palace
- The
Droid Invasion and the Appearance of Darth Maul
- Qui-Gon’s
Noble End
- The
High Council Meeting and Qui-Gon’s Funeral
- Augie’s
Great Municipal Band and End Credits
DISC 2 – Episode II: Attack of the Clones
- Star
Wars Main Title and Ambush on Coruscant
- Across
the Stars (Love Theme from Star Wars Episode II)
- Zam
the Assassin and the Chase Through Coruscant
- Yoda
and the Younglings
- Departing
Coruscant
- Anakin
and Padmé
- Jango’s
Escape
- The
Meadow Picnic
- Bounty
Hunter’s Pursuit
- Return
to Tatooine
- The
Tusken Camp and the Homestead
- Love
Pledge and the Arena
- Confrontation
with Count Dooku and Finale
DISC 3 – Episode III: Revenge of the Sith
- Star
Wars and the Revenge of the Sith – Medley
- Anakin’s
Dream
- Battle
of the Heroes
- Anakin’s
Betrayal
- General
Grievous
- Palpatine’s
Teachings
- Grievous
and the Droids
- Padme’s
Ruminations
- Anakin
vs. Obi-Wan
- Anakin’s
Dark Deeds
- Enter
Lord Vader
- The
Immolation Scene
- Grievous
Speaks to Lord Sidious
- The
Birth of the Twins and Padme’s Destiny – Medley
- A
New Hope and End Credits – Medley
DISC 4 DVD – Star Wars: A Musical Journey
- Main
Title (From “Star Wars”)
- Duel
of the Fates (From “Star Wars Episode 1: The Phantom Menace“)
- Anakin’s
Theme (From “Star Wars Episode 1: The Phantom Menace“)
- Across
the Stars (Love Theme) [From “Star Wars Episode 2: Attack of the Clones“]
- Battle
of the Heroes (From “Star Wars Episode 3: Revenge of the Sith“)
- The
Imperial March (From “Star Wars Episode 5: The Empire Strikes Back“)
- The
Dune Sea of Tatooine, Jawa Sandcrawler (From “Star Wars Episode 4: A New
Hope“)
- Binary
Sunset, Cantina Band (From “Star Wars Episode 4: A New Hope“) – Medley
- Princess
Leia’s Theme (From “Star Wars Episode 4: A New Hope“)
- Ben
Kenobi’s Death / Tie Fighter Attack – Medley
- Yoda’s
Theme (From “Star Wars Episode 5: The Empire Strikes Back“)
- The
Asteroid Field (From “Star Wars Episode 5: The Empire Strikes Back“)
- Luke
and Leia (From “Star Wars Episode 6: Return of the Jedi“)
- The
Forest Battle (From “Star Wars Episode 6: Return of the Jedi“)
- Light
of the Force (From “Star Wars Episode 6: Return of the Jedi“)
- The
Throne Room/End Title – Medley
Episode IV: A New Hope
DISC 5
- 20th
Century Fox Fanfare
- Main
Title/Rebel Blockade Runner (Medley)
- Imperial
Attack
- The
Dune Sea of Tatooine/Jawa Sandcrawler (Medley)
- The
Moisture Farm
- The
Hologram/Binary Sunset (Medley)
- Landspeeder
Search/Attack of the Sand People (Medley)
- Tales
of a Jedi Knight/Learn About the Force (Medley)
- Burning
Homestead
- Mos
Eisley Spaceport
- Cantina
Band
- Cantina
Band #2
- Binary
Sunset (Alternate) (Medley)
DISC 6
- Princess
Leia’s Theme
- The
Millennium Falcon/Imperial Cruiser Pursuit (Medley)
- Destruction
of Alderaan
- The
Death Star/The Stormtroopers (Medley)
- Wookie
Prisoner/Detention Block Ambush (Medley)
- Shootout
in the Cell Bay/Dianoga (Medley)
- The
Trash Compactor
- The
Tractor Beam/Chasm Crossfire (Medley)
- Ben
Kenobi’s Death / Tie Fighter Attack (Medley)
- The
Battle of Yavin
- The
Throne Room/End Title (Medley)
Episode V: The Empire Strikes Back
DISC 7
- 20th
Century Fox Fanfare
- Main
Title/The Ice Planet Hoth (Medley)
- The
Wampa’s Lair/Vision of Obi-Wan/Snowspeeders Take Flight (Medley)
- The
Imperial Probe/Aboard the Executor (Medley)
- The
Battle of Hoth (Medley)
- The
Asteroid Field
- Arrival
on Dagobah
- Luke’s
Nocturnal Visitor
- Han
Solo and the Princess
- Jedi
Master Revealed/Mynock Cave (Medley)
- The
Training of a Jedi Knight/The Magic Tree (Medley)
DISC 8
- The
Imperial March (Darth Vader’s Theme)
- Yoda’s
Theme
- Attacking
a Star Destroyer
- Yoda
and the Force
- Imperial
Starfleet Deployed/City in the Clouds (Medley)
- Lando’s
Palace
- Betrayal
at Bespin
- Deal
with Dark Lord
- Carbon
Freeze/Darth Vader’s Trap /Departure of Boba Fett (Medley)
- The
Clash of Lightsabers
- Rescue
from Cloud City/Hyperspace (Medley)
- The
Rebel Fleet/End Title (Medley)
Episode VI: Return of the Jedi
DISC 9
- 20th
Century Fox Fanfare
- Main
Title/Approaching The Death Star/Tatooine Rendezvous (Medley)
- The
Droids Are Captured
- Bounty
for a Wookiee
- Han
Solo Returns
- Luke
Confronts Jabba/Den Of The Rancor/Sarlacc Sentence (Medley)
- The
Pit of Carkoon/Sail Barge Assault (Medley)
- The
Emperor Arrives/The Death of Yoda/Obi-Wan’s Revelation (Medley)
- Alliance
Assembly
- Shuttle
Tydirium Approaches Endor
- Speeder
Bike Chase/Land of the Ewoks (Medley)
- The
Levitation/Threepio’s Bedtime Story (Medley)
- Jabba’s
Baroque Recital
- Jedi
Rocks
- Sail
Barge Assault (Alternate Version)
DISC 10
- Parade
of the Ewoks
- Luke
and Leia
- Brother
and Sister/Father and Son/The Fleet Enters Hyperspace/Heroic Ewok (Medley)
- Emperor’s
Throne Room
- The
Battle Of Endor I (Medley)
- The
Lightsaber/The Ewok Battle (Medley)
- The
Battle Of Endor II (Medley)
- The
Battle Of Endor III (Medley)
- Leia’s
News/Light of the Force (Medley)
- Victory
Celebration/End Title (Medley)
- Ewok
Feast/Part of the Tribe (Medley)
- The
Forest Battle (Concert Suite)
DISC 11 Bonus Disc: Interviews with Harrison Ford and
John Williams
- John
Williams in interview about his life as a composer
- Harrison
Ford in interview about Star Wars
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