A Certain Point of View: Writing, Film and Stuff

Dr. Strangelove: Or, How I Learned to Stop Worrying and Love the Bomb is one of the most biting and hard-hitting commentaries about the U.S.-Soviet arms race, overdependence on technology, the can-do philosophy of the Air Force, and the sheer lunacy of MAD, the apt acronym for the term Mutual Assured Destruction, the Cold War diplo-speak that meant "you nuke our country, we'll nuke yours." Normally one wouldn't think the possibility of nuclear annihilation would be the wellspring for a comedy, just as most people today wouldn't think the Holocaust is fodder for satire. Yet when Stanley Kubrick set out to do a straightforward dramatic film based on novelist Peter George's Red Alert, a novel about an "accidental" nuclear attack on the Soviet Union by the United States, the more research and contemplation the director and co-screenwriter did on the subject of nuclear deterrence and all the nitty gritty of nuclear warfare, the more insane t

When I was a junior in high school, 20th Century Fox released director Harold Becker's  Taps,  a well-acted if rather unrealistic film about a group of teenaged military school cadets who, with visions of honor and duty in their minds, challenge local law enforcement agencies and even the Army National Guard to keep their military academy from being closed. Starring a  Patton- esque George C. Scott as Gen. Harland Bache, the superintendent of Bunker Hill Academy,  Taps also features a cast of young actors who were either already Academy Award-winners (Timothy Hutton) or destined for future Oscars and/or greater success in Hollywood (Sean Penn, Tom Cruise). Based on the novel  Father Sky  by Devery Freeman, the screenplay written by Robert Mark Kamen, James Lineberger and Darryl Ponicsan is best seen as an allegory about teenagers' extremist interpretations of such notions as honor, duty and courage rather than being a true to life mish-mash which blends a look at military sch