A Certain Point of View: Writing, Film and Stuff

In 2011, even before Scribner (a division of Simon & Schuster) published Stephen King's time travel novel  11/22/63, director Jonathan Demme ( The Silence of the Lambs ) announced that he had acquired the film rights. He was intrigued by its premise - a 21st Century high school English teacher travels back in time to prevent John F. Kennedy's assassination in Dallas on November 22, 1963.  Demme would write the screenplay and direct the feature film, while King would be the project's executive producer. It was a good idea on paper, but the reality was something entirely different. According to Rolling Stone's Andy Greene, "[t]he book...had  a rather rocky first step on its road to the screen. Director Jonathan Demme was the first license to it, though King had complete veto power over every aspect of the project. "He was pretty adamant that it be a theatrical film," says the bestselling author. "It was like, 'Jon, I don't kno

(C) 1992 Simon & Schuster The trouble with history, particularly modern history, is that events can be interpreted and presented in different ways. Consider, for instance, the assassination of President John F. Kennedy. Some books, such as Jim Bishop's The Day Kennedy Was Shot and Gerald Posner's Case Closed , point the finger at Lee Harvey Oswald as the lone gunman. Others, such as David Lifton's Best Evidence , claim there was a vast conspiracy to shoot Kennedy in Dallas, Texas and to cover this violent coup d'etat up so Lyndon Johnson could be President and escalate the Vietnam War. I don't believe the conspiracy theorists and they'll never get a dime from me, but nevertheless there are plenty of people who do believe Lifton and his other "there was a second gunman in the grassy knoll" compadres. By taking a fact here, adding a supposition there, and by presenting information selectively to make it fit an author's particular