A Certain Point of View: Writing, Film and Stuff

© 2026 Alex Diaz-Granados   Yesterday I kicked off a brand‑new project: And the Horse You Rode in On . It’s early days, but the energy feels right. This one has always insisted on being a novella — not a sprawling novel, not a short story stretched thin — just a novella that knows exactly what it wants to be. The setting drops us into the mid‑1970s, a time that’s warm, textured, and perfect for what the story needs. And without spoiling anything, the heart of this tale is about how Jim and Mark become fast friends. Not the later chapters of their lives, not the adult complications — just the spark that starts it all. The writing is flowing smoothly, scene after scene arriving with that welcome sense of momentum. After a stretch of feeling blocked, it’s a relief to be moving again. If you haven’t yet explored Jim’s world, this is a great moment to dive into the four existing stories — especially The Jim Garraty Chronicles . That omnibus gathers the emotional backbone of J...

© 2026 Alex Diaz-Granados   A Hardcover, Finally After a fair amount of wrestling with KDP’s settings, templates, and mysterious page‑count limits, The Jim Garraty Chronicles will soon be available as a hardcover. I had to change the trim size because the book crossed the 550‑page threshold, and that change forced me to rebuild the cover from scratch. Not exactly the smoothest process, but the end result looks surprisingly good. The hardcover collects all four stories — Reunion , Reunion: Coda , Comings and Goings , and the bonus origin story, The Summer of Two Movies . Seeing them bound together on cream paper, with a proper spine and a clean layout, gives the whole project a sense of permanence I didn’t expect. It feels like the right way to present Jim Garraty’s early years. For the author photo, I went with a picture from my college days, taken when I received a journalism award. It seemed fitting to use an image from the time when writing first became part of my identit...

  The Song That Wouldn’t Leave: How “Somewhere” Became Jim and Marty’s Emotional North Star Every writer has experienced it: the moment when a first‑draft choice plants itself in the soil of the story and refuses to be uprooted. You tell yourself you’ll revisit it later. You assume you’ll refine it, replace it, elevate it. But when “later” arrives, the choice is still there — stubborn, insistent, quietly correct. That’s what happened with Somewhere . When I drafted the 1998 version of Jim and Marty’s chorus‑room scene, I didn’t agonize over the song selection. I didn’t make a spreadsheet of musical options. I didn’t weigh thematic resonance or lyrical symbolism. I simply wrote Somewhere — almost casually — and moved on. And then, years later, when the real revisions began, I discovered something surprising. I couldn’t change it. Not because I lacked alternatives. Not because I was sentimentally attached to the draft. Not because I was afraid to revise. I couldn’t cha...

© 2026 Alex Diaz-Granados   Monday, July 27, 2026 – Orlando, Florida Hi, everyone. I just grabbed my Amazon package from the mailbox — the newly revised edition of The Jim Garraty Chronicles: A Life in Four Movements . I haven’t had time to pore over it yet (the Postal Service also delivered my MasterCard bill, which immediately reminded me of August 12), but I did check the trouble spots that bothered me in the first printing. This copy was printed yesterday in Orlando, so it’s clearly based on the updated file I uploaded to KDP last week. The duplicated paragraph in Reunion: Coda is gone, the back‑matter headers are still stubbornly capitalized thanks to Kindle Create, but the series name is finally correct: The Jim Garraty Chronicles . With four stories in the canon now, it fits. I’ve put the revised edition on my bookshelf, and I’m confident the major issues have been fixed. After three years living inside Jim Garraty’s world, I’m giving myself permission to read other...

Marty, as depicted in Reunion: Coda on her graduation day in 1983   Marty as the Anti‑Cece: How a Character Was Born Every character has an origin story, and Marty’s is no exception. She didn’t arrive fully formed; she emerged from a long process of refinement, replacing an earlier, racier dream subject with someone emotionally fluent and real. Marty was created in 1998, but her roots stretch back to a fleeting encounter in April 1983, when I first noticed a classmate named Cecilia. Cecilia was gorgeous—striking in her presence, unforgettable in her heterochromia—but I only became aware of her late in our senior year. That timing mattered. Had I carried a multi‑year crush, it would have been a heavy burden for a shy guy like me. Instead, Cecilia remained a spark: a motif of beauty glimpsed too late to shape my teenage life, but just in time to shape my creative one. Marty, in many ways, became the anti‑Cece. Where Cecilia was absence—someone I barely knew, discovered at the t...

Audible Milestone: Six Units Sold One week after the Garratyverse stepped into audio, we’ve reached our first milestone: six units sold across Audible and Apple Books.  Comings and Goings leads with four copies, while Reunion: A Story adds two more. Three were direct purchases, one came through Apple Books , and two were redeemed with Audible credits. It may sound modest, but in the world of independent publishing, every unit matters. Each listener is a pioneer, experiencing Garraty’s journey in a new medium. And with no returns, the response so far has been encouraging. This milestone reminds me that audiobooks are not just products—they’re invitations. Six listeners have accepted that invitation, and I couldn’t be more grateful. The Garratyverse is finding its voice, one listener at a time.    

© 2025 Alex Diaz-Granados/ADG Books 📣 Audiobook Release Announcement: Reunion: A Story I’m delighted to share that Reunion: A Story: A Novella (The Reunion Duology Book 1) is now officially available on Audible and Amazon , with Apple Books availability coming in just a few days. Produced by Brandon Padilla , this audiobook has successfully passed ACX’s rigorous quality assurance reviews—cover design, metadata, and audio files—ensuring that narration, production, and technical standards all meet professional benchmarks. 📖 About the Story Reunion: A Story takes us back to June 1983 , where Jim Garraty is a senior at South Miami Senior High. A staff writer for the school paper and a college‑bound scholar with dreams of becoming a historian, Jim is well‑liked by peers and teachers alike. His future looks bright—except for one lingering matter of the heart. The girl he loves from afar, Marty, is also graduating. Rumor has it she’s leaving for the summer before...

  October 10, 2025 – Orlando, Florida It’s Friday again. Another week winding down, and I wish I had more to show for it. Progress on the deluxe edition of The Jim Garraty Chronicles —the omnibus collecting Reunion: A Story , Reunion: Coda , and Comings and Goings – The Art of Being Seen —has slowed to a crawl. Not a single edit this week. Part of the blame falls on Kindle Create, which seems determined to mangle my subheadings. But if I’m honest, the deeper culprit is doubt. Why release the collection now, when sales of the individual books have been... let’s say, modest? Back when I was writing Reunion: Coda , especially through that frigid New Hampshire winter, I held onto hope. I imagined fans of Reunion: A Story rallying—leaving glowing reviews, spreading the word, giving my writing career a gentle nudge. Some did. A few loyal readers picked up Reunion: Coda in hardcover, paperback, and Kindle formats. But overall, sales have been underwhelming. And yes, it’s dimmed my spark...

  This morning brought a small but welcome surprise: a modest uptick in my Kindle Direct Publishing royalties. Someone picked up a paperback copy of Save Me the Aisle Seat , my first self-published book—a collection of movie reviews originally written for the now-closed site Epinions. I’ve always had mixed feelings about that book. Of the four titles I’ve published, it’s the one I’m least fond of—not just because I rushed it out in 2012 so my mom could see it while she was still with us, but also because I believe it doesn’t measure up to my fiction work: Reunion: A Story , Reunion: Coda , and Comings and Goings – The Art of Being Seen . Many of the reviews weren’t edited as carefully as they should have been, and I gave away more plot points than I intended. Still, the introduction—written specifically for the book—feels true and heartfelt. That part came from a place of love. Sometimes I consider retiring Save Me the Aisle Seat , but I probably won’t. Despite its flaws, readers s...

  Not a Romance Novel: Why Emotional Truth Matters More Than Genre Readers often ask: Is Reunion: Coda a romance? The answer is more nuanced than a shelf label. Yes, there is love—aching, tentative, redemptive. But this isn’t a story built on tropes or tidy resolutions. It’s a novel with romance, not a romance novel. The difference is emotional gravity. Jim Garraty’s journey isn’t about finding “the one.” It’s about living with memory, navigating regret, and learning how to love without losing himself. Romance in the Garratyverse is never spectacle—it’s sanctuary. It’s the quiet miracle of being seen, of being accepted, of being allowed to feel without apology. In Reunion: Coda , love is complicated by life. By traffic. By missed calls. By the weight of history. And that’s what makes it real. This is a story for readers who crave emotional fluency over formula. Who find resonance in quiet moments, in letters never sent, in friendships that hold space when romance f...

  🧭 How to Read the Garratyverse: A Guide for New and Returning Readers There’s no single way to enter the Garratyverse. Like memory itself, the stories unfold in layers—sometimes linear, sometimes recursive, always emotionally true. Whether you’re new to the universe or returning to trace its quiet echoes, here are three pathways to explore the work. 📚 1. Publication Order Reunion: A Story → Reunion: Coda → Comings and Goings – The Art of Being Seen This path honors the evolution of the Garratyverse as it came into the world. You’ll witness the deepening of themes—love, regret, emotional sanctuary—and the growing fluency of its characters as they navigate the long arc of connection. Start here if you want to experience the universe as it was written—layer by layer, revelation by revelation. 🕰️ 2. In-Universe Chronological Order Reunion: A Story → Comings and Goings – The Art of Being Seen → Reunion: Coda This order follows the emotional timeline of the ...

  Fabio, Interrupted: Genre, Grief, and the Emotional Architecture of Reunion: Coda Some readers see a title like Reunion: Coda and expect a romance novel. Maybe they picture a windswept beach, a tearful embrace, or a shirtless man with flowing hair and a tragic backstory. I get it. I even leaned into the joke with a parody cover—Fabio in full glory, dramatically crossed out by the international symbol for “Prohibited.” But beneath the humor lies a serious point: Reunion: Coda isn’t a romance novel. It’s a story about memory, grief, male friendship, and the emotional consequences of reunion. A recent summary generated by Copilot in Word captured the heart of the book better than any genre label ever could. It described the narrative as a “richly detailed fictional exploration” of Jim Garraty’s life—from his high school years in South Miami to his adult career as a history professor in New York. It highlighted themes of love, loss, personal growth, and the enduring impact of ...

© 2025 Alex Diaz-Granados   When a Reader Sees What You Meant to Say There are moments in a writer’s life that feel like exhaling after holding your breath for years. Reading Denise Longrie’s review of Comings and Goings was one of those moments. “The story is not a romance, but rather an enjoyable, insightful journey into empathy and the importance of human connection.” In that single sentence, Denise captured what I most hoped this story would communicate. Jim and Kelly’s conversation—quiet, non-performative, and deeply human—isn’t about flirtation or clever repartee. It’s about being seen. About recognition amid loneliness. And Denise saw that. She saw Jim’s discomfort, his tepid beer, his sense of invisibility. She noticed Kelly’s confidence—not as bravado, but as an invitation. She appreciated how music threads through their moment, not just as time-stamp nostalgia, but as emotional texture. Denise didn’t just read the story—she inhabited it. “Kelly listens and does...

 💫 Fragments of Time, Glimpses of the Heart 💫 Step into the world of Jim Garraty—a man whose quiet journey through memory, longing, and redemption has touched readers in ways both unexpected and familiar. Across three distinct stories, you'll find echoes of your own past, gently reshaped through fiction. 📖 Reunion: A Story takes you to a Florida high school in 1983, where Jim faces a silent moment of decision that will echo for decades. 📖 Reunion: Coda revisits him in 2000 as a professor confronting personal ghosts and revisiting old friendships. 📖 Comings and Goings – The Art of Being Seen explores fleeting connections in Boston during 1984, where simply being noticed can mean everything. These works aren’t just stories—they’re portraits of vulnerability, humanity, and the grace found in quiet reflection. Written with spare beauty and emotional depth, they speak to anyone who’s ever wondered about missed chances, forgiveness, and what remains after time has passed. Av...

  © 2025 Alex Diaz-Granados Writers yearn for resonance—that magical moment when a reader not only follows the story but genuinely feels it. Since Reunion: A Story made its debut in 2018, Thomas Wikman has been a thoughtful and discerning voice among those who've embraced Jim Garraty’s journey. His recent review of Reunion: Coda , titled “The Mystery of Life and Love,” is both a celebration and a deep dive into the emotional fabric of the Garratyverse. Thomas doesn't just compliment the narrative—he illuminates it. His reflections speak to the story’s careful navigation of time and emotion, drawing out the philosophical heart that lies beneath the prose. From the lingering sorrow of Martina to the gentler warmth of Maddie, he recognizes how love, memory, and resilience intertwine to shape the world Jim inhabits. His words resonate with truths that often remain unspoken: “Life is complicated and difficult, people will disappoint you… Life can be good but never perfect. We reco...

© 2025 Alex Diaz-Granados It’s funny how inspiration works. With Reunion: Coda —the novel I published less than three months ago—the idea took years to bloom. In fact, it first sparked back in 2000, when April, someone I never actually met, read the early manuscript of what eventually became Reunion: A Story . Maybe because I subconsciously associated the idea of a sequel with her, I didn’t begin writing Coda until 2023. That’s a 23-year gestation period. The final product? A novel over 500 pages long. But my latest book? It arrived almost by accident. The first nudge came from my friend Juan Carlos Hernández, who asked me a deceptively simple question: “What are you writing next?” I didn’t have a good answer. I was still knee-deep in promoting Coda , still recovering from the two-year marathon of writing it and from the whiplash of two cross-country moves in under a year. The truth was: I wasn’t ready to know what the Next Story was. Because once you know, you have to write it. Sti...

 Image by Vika_Glitter via Pixabay  A Companion Reflection for Comings and Goings: The Art of Being Seen Some moments imprint not because they’re perfect, but because they were true. Not rehearsed, not adorned—simply lived, and remembered. For Jim Garraty, that moment comes beneath the hush of moonlight, in a quiet room striped with silver shadow, beside a woman whose presence steadies more than it startles. It isn’t a scene about conquest or climax. It’s about presence . About the shyness of a first-time lover, the cataloguing habits of a historian, and the aching relief of being held in truth rather than judged in silence. Kelly sees him. Not through the lens of expectation, but through care. When he whispers, “I wish I’d been better at this,” she doesn’t dismiss or deflect. She listens. She stays close. And her reply— “Then it was perfect. You were kind. You were here. That’s what matters.” —becomes the emotional thesis of their entire connection. This wasn’t a ...

The author in 2020   “Some Loves Don’t Ask”: A Poem in Three Movements Some moments don’t belong to the past so much as they echo quietly in the present—fragments of kindness, memory, and presence that resist the erosion of time. As I prepare to share Comings and Goings: The Art of Being Seen , I’ve been thinking about the spaces between stories—the ones that never become chapters, but shape the emotional weight of everything that follows. The poem below isn’t part of the short story, but it shares its emotional DNA. It’s a reflection on encounters that didn’t last, but mattered. I hope it finds you in a quiet moment.   The Boy She Loved for One Night She’s older now— not by much, but enough that the past feels more like a country she left than one she was exiled from. At a shelf she wasn’t seeking, his name appears— spine out, serifed, tucked between authors she almost recognizes. Garraty. A flicker. A room. A song dressed in Beethoven’s longing. ...

  Ten Reasons This Quiet Universe Leaves a Lasting Impression There’s a certain kind of story that doesn’t shout—it hums. It lingers in memory like a melody you forgot you loved. In the Reunion Duology , author and blogger  Alex Diaz-Granados invites readers into a world shaped by memory, music, and the choices we carry long after the moment has passed. Across two deeply personal works— Reunion: A Story and Reunion: Coda —we follow the inner life of Jim Garraty, a man who’s never stopped wondering about what might have been. And coming soon: Comings and Goings: The Art of Being Seen —a poignant companion story that traces the roots of one quiet turning point and the emotional bravery it awakened. So, what makes the Garratyverse different? Here are ten reasons readers find themselves gently, unexpectedly moved. 1. It begins with a moment missed—and never lets go. Jim Garraty’s world changes in 1983 when he hesitates to speak his truth. What follows is a li...

Marty Several years ago, a former classmate read one of my blog posts and—without hesitation—declared that Marty, the central female character in the   Reunion Duology , had to be based on a real girl. She was so certain, in fact, that no amount of authorly denial could sway her. Why? Because, in her words, “Jim’s feelings for Marty were just so strong.” I’ve been turning that over in my head ever since. To be clear: Marty is fictional. She’s not a thinly veiled version of anyone I knew well—though her physical appearance was inspired by a classmate I barely spoke to, someone whose yearbook photo struck a quiet chord fifteen years later. That image became a door I stepped through in 1998 to imagine a character who was vivid, smart, guarded, hopeful—and, yes, magnetic enough to pull someone like Jim Garraty into her orbit. If Marty feels real , it’s because I poured a good deal of emotional truth into her, even if the details are invented. She’s stitched together from memor...