A Certain Point of View: Writing, Film and Stuff

On June 27, 1995, three days before the theatrical release of director Ron Howard's Apollo 13, MCA Records dropped Apollo 13: Music from the Motion Picture , a 78-minute-long soundtrack album that presents eight songs from the Apollo era (including James Brown's "Night Train" and Norman Greenbaum's "Spirit in the Sky" ), one 1990s cover of a pop standard ( Blue Moon by the South Florida retro-country band The Mavericks) seven tracks of dialogue recorded for the record by members of the cast, and seven tracks of composer James Horner's original Academy Award-nominated orchestral score for the film. Prior to the release of Apollo 13: Music from the Motion Picture , Horner - who wrote the score to the Academy Award-nominated film based on Jim Lovell and Jeffrey Kluger's Lost Moon: The Perilous Voyage of Apollo 13 - had prepared a 59-minute-long "assembly" album for commercial release. This version of the soundtrack presented 12 t

He is always close at hand, in a very positive way, musically; he’s extremely fond of music. His greatest pleasure, he tells me…and I believe him…is the time when he can come sit on the stage and listen to the orchestra play as we accompany the film. – John Williams on Steven Spielberg, in an interview with Lukas Kendall Not too long ago in a country not so far away, adventurer-archeologist, Indiana Jones, embarked on a historically significant search for the Lost Ark of the Covenant. Joining him on this supernatural treasure hunt was the London Symphony Orchestra under the baton of composer John Williams. Were it not for many crucial bursts of dramatic symphonic accompaniment, Indiana Jones would surely have perished in a forbidding temple in South America or in the oppressive silence of the great Sahara Desert. – Steven Spielberg in his director’s note for the 1981 album of the Raiders of the Lost Ark soundtrack In the spring of 1981, Columbia Records – which at the time