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Movie Review: 'The Magnificent Seven' (1960)

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Although the average film-goer may not be aware of this, some of Hollywood’s best films are often inspired by movies made in other countries, such as those directed by Japan’s Akira Kurosawa, whose  Rashomon, The Hidden Fortress  and  Yojimbo  inspired American films such as  The Outrage, Star Wars  and  Last Man Standing.  (Kurosawa’s  Yojimbo,  in particular, was also the somewhat controversial template for Sergio Leone’s  A Fistful of Dollars , but  Last Man Standing  is an officially sanctioned remake.)  Perhaps one of the most popular Americanized remakes of a Kurosawa “Easterner” is 1960’s  The Magnificent Seven,  a Western written by William Roberts and officially acknowledged (in the main title sequence) as being inspired by Toho Films’  Seven Samurai  (1954)   .  That  Seven Samurai  could be adapted fairly easily from a film set in a medieval Japanese setting to a Western set in a late 19th Century Mexican village just south of the Texas border is easily explained: K

Indy meets Albert Schweitzer in Oganga, The Giver and Taker of Life

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After the cancellation by ABC of his ambitious and expensive television series,  The Young Indiana Jones Chronicles,  executive producer George Lucas tried several methods to save the show and give viewers - especially pre-teen kids and young adults - its trademark mix of education and entertainment. For instance, after ABC axed  Young Indy  from its lineup (citing the show's lavish budgets as its primary reason), Lucasfilm Limited produced four made-for-TV movies which aired on cable's Family Channel over a two-year period (1994-1996).   Another life-saving measure was the hiring of film editor T.M. Christopher, who not only had worked with Lucas as an editor on the Classic  Star Wars  Trilogy, but also with Milos Forman in cutting 1984's  Amadeus. Christopher was tasked with re-editing 44 episodes of  The Young Indiana Jones Chronicles  and fashioning 22 "movies" out of them by marrying chronologically-close stories together into a (hopefully) seamless na

Cornelius Ryan's The Last Battle: a book review

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It is spring, 1945.  Almost six years have passed since Adolf Hitler invaded Poland on September 1, 1939 and began history's largest and bloodiest conflict, the Second World War. Once, Hitler's Third Reich -- which he had boasted would last 1,000 years -- dominated most of Europe and parts of North Africa. Now, having committed the biggest blunders of his 12-year reign of terror -- the invasion of the Soviet Union in June of 1941 and his ill-considered declaration of war on the United States six months later, Germany's Austrian-born Fuhrer watches his Nazi empire shrink as first his conquered territories in Western and Eastern Europe are liberated by the advancing Allies, then his vaunted defenses are broken and German towns and cities find themselves occupied by the Soviets in the east, the Anglo-Americans in the west. Even the mighty Rhine River -- Germany's "moat" -- is no longer an effective defensive barrier against General Dwight D. Eisenhower's Al