Writing 101: Adapting Prose Story to Screenplay - Part Two
Once I made the decision to adapt my short story - Love Unspoken, Love Unbroken - as a no-frills, just-to-see-if-I-can-do-this screenplay, I had to start thinking about the story’s structure and how best to approach it so it works well as a movie. One of the reasons for choosing this story instead of, say, my thinly-disguised recollections about my first time with a woman, was its simplicity. It is, in essence, a long flashback (with a dream sequence tacked on for good measure) set in June of 1983 during the main character’s/narrator’s last hours as a high school student, with a frame story set in what was “present day” in 1998. Love Unspoken, Love Unbroken has several built-in advantages that make it fairly easy to adapt, at least in theory. It has only a small set of main characters. There’s Jim, the narrator, a college professor and best-selling author in the frame story, and a Harvard-bound high school senior in the main body of the story. There’s Mark, his best friend