A Certain Point of View: Writing, Film and Stuff

At the heart of the original Star Wars trilogy, amidst the epic battles between the evil Galactic Empire and Rebel Alliance, is the journey Luke Skywalker makes from his humble Tatooine farm boy roots to hero of the Alliance and, more importantly, to becoming a Jedi Knight. In classic mythological and storytelling terms, Luke's role is that of the Hero on a Noble Quest, propelled into action by a captive Princess' call for help, helped along by a wise mentor and a motley crew of friends, and, along the way, confront and ultimately redeem his father, the fallen Jedi-turned-Sith Lord Darth Vader. Knowing all this, I thought it was quite proper that Hasbro chose Luke Skywalker as its 100th 12-inch scale Action Collection figure. Yes, Han Solo is the more contemporary character in the Classic Trilogy, getting some of the best lines -- and the Princess' heart -- in the films A New Hope, The Empire Strikes Back, and Return of the Jedi, but just as the current prequels are

This opinion reveals major details about the movie's plot. The Arsenal of Freedom Stardate 41798.2 (Earth Calendar Year 2364) Original Air Date: April 11, 1988 Written by Richard Manning and Hans Beimler Story by Maurice Hurley and Robert Lewin Directed by Les Landau   On stardate 41798.2, the  Galaxy- class  Starship USS Enterprise  (NCC-1701-D), under the command of Capt. Jean-Luc Picard (Patrick Stewart), arrives at Minos, a Class M world located in the Lorenze Cluster.  Her assignment: to find any trace of the missing  USS Drake  (NCC-20381), a Federation starship of the  Wambundu  class commanded by Capt. Paul Rice (Marco Rodriguez). For the  Enterprise’s  First Officer, Commander Will Riker (Jonathan Frakes), the disappearance of the  Drake  is of interest on both a professional and personal level, for not only is Capt. Rice a friend of Riker’s from their Academy days, but Riker had been offered command of the  Drake , an assignment he had turned down to serve aboa

Whenever movie producers such as Mace Neufeld ( The Hunt for Red October ) or the triumvirate of Peter Jackson, Fran Walsh and Barrie M. Osborne ( The Lord of the Rings ) announce that they are going to adapt a literary work for the silver screen, most of us say something like, “That’s great, but I bet it won’t be as good as the book.” Of course, if you go into screenwriting or even just read books about the process of writing for the film industry, you quickly learn that the business of adaptation isn’t simply changing the original prose format of a book (fiction or non-fiction, it doesn’t matter) into the more concise one used in movie scripts.  Instead, you have to write your screenplay with a keen eye for the  visual  aspects of the story, as well as making tons of compromises that will allow you to keep  thematic ideas  from the book close to what the original author intended when he or she wrote the book without giving your producer a screenplay that will result in a very

One of the tragedies of the George Zimmerman/Trayvon Martin case – and there are many of them, believe me – is that it has revealed, once again, the seamier side of the American mindset, particularly when it comes to the concepts of justice and “mob rule.” To be sure, there are certain points about the case that everyone seems to agree on.  Trayvon Martin, a 16-year-old adolescent was shot and killed by 26-year-old volunteer community crime watchman George Zimmerman on the early evening of February 26, 2012 in a gated community in Sanford, Florida.  There was a confrontation of some sort, there was a scuffle, and Zimmerman did fire a single shot from a pistol he was licensed to carry, a shot which killed the teenager. Unfortunately for those of us who have been following the case from a long distance, the whole sad incident is still shrouded in a fog of uncertainty.  Very few people in the gated community actually saw what happened, and like many similar occurrences in which sev

Gulf War book is among the best on the subject   Written: Dec 15 '03 Pros: Reads like a Tom Clancy novel. Cons: Maybe there ought to be a revised edition with comments on Gulf War II The Bottom Line: If you like well-written military history books that read like novels, this is worth reading! 13 years and two Administrations ago, the entire world watched as the first President Bush marshaled a global coalition to confront Iraqi dictator Saddam Hussein and gave him an ultimatum: leave Kuwait by Jan. 15, 1991, or we'll force you out. Three months had passed since Iraq had invaded its tiny but rich neighbor, claiming the Kuwaitis were slant-drilling into Iraqi oil fields just across the border. In reality, as Rick Atkinson points out in Crusade: The Untold Story of the Persian Gulf War, Saddam was strong-arming his way out of repaying loans made to Iraq by Kuwait and other moderate Arab countries during his disastrous war with Iran. He may have also been angered by OPEC's l

When most people think of the American strategic bombing offensive against Germany during World War II, usually they see in their imagination the graceful lines of the Boeing B-17 Flying Fortresses of the Eighth Air Force. Hollywood epics such as Twelve O'Clock High, Command Decision and Memphis Belle reinforce our collective memory of the Flying Forts taking off from Britain on their perilous daylight raids over Hitler's Third Reich, risking life and limb and machine to destroy Germany's industrial capacity and help hasten the end of the war.  While the B-17 did, indeed, contribute to the Allied victory in Europe, its dominant role as the U.S. Army Air Force's strategic bomber was a creation of public relations and the media's attention on the "sexy" Flying Fortress. The true workhorse of the daylight bombing campaign over Germany was the ungainly Consolidated B-24, aptly given the name Liberator.  As the late Stephen E. Ambrose wrote in The Wild

The Hurt Locker (2009) There is, apparently, a simple rule-of-thumb (at least for those folks who keep track of these things) that war movies, no matter how well-made they may be, simply do not attract huge audiences to theaters in times of war. Certainly, people who are old enough to remember World War II and its immediate aftermath can make a good case that this is not always the case and that many of them, whether they were adults or kids at the time, watched movies such as  Air Force, Back to Bataan, Guadalcanal Diary, Sahara, The Flying Tigers  and  A Walk in the Sun , not to mention the various newsreels and government-produced propaganda films. That having been said, movies about America's post-World War II conflicts made while the bullets were flying and the soldiers, sailors, Marines, Coast Guardsmen and Air Force personnel were in harm's way often flopped or were less-than-critically acclaimed.  (John Wayne's  The Green Berets  may be liked by fans of the Duk