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Victory at Sea: Suicide for Glory (Episode 25)

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The Bottom Line  The battle of Okinawa is briskly, briefly discussed in this episode of  Victory at Sea   Since 1952, when NBC first aired its 26-part  Victory at Sea  series of 30-minute documentaries about the U.S. Navy during the Second World War, it has been a staple of both broadcast and cable channels. Millions of viewers in the U.S. and elsewhere have seen at least a few episodes of writer-producer Henry Salomon's ode to the sailors and Marines who fought and often died fighting their German, Italian, and Japanese counterparts for control of the world's oceans. Because battles on the air, land, and sea aren't scripted for the cinematographers as if for a Hollywood production, any major documentary about World War II is, in essence, a montage of shots and snippets of 35-mm film photographed by combat photographers stationed on different ships, aircraft, and military installations. There is actually precious little continuous footage of entire single naval battles

My Top 10 War Movies

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War, despite being one of humanity's worst innovations, nevertheless exerts a strange fascination for most people, hence its enduring appeal as a subject in both the printed page and movies. Great drama, or so we were told in high school English class, is based on some type of conflict (man vs. nature, man vs. fate, man vs. himself, and man vs. man), and war is, after all, the ultimate expression of conflict. No other human endeavor exhibits so many contrasting extremes; on the one hand, the bonding and comradeship born out of the shared dangers and miseries is unrivaled by anything in civilian life, and this is one of the themes many of the best war movies explore in varying degrees. Men and women often exhibit their finest traits under the strains of war: courage, loyalty, determination, inventiveness, and self-sacrifice. At the other extreme, war brings out the worst in people: cowardice, selfishness, cruelty, amorality, treachery, and avarice.  There is also no awe-inspiring

Clint Eastwood, Eli Wallach and Lee Van Cleef chase a cache of gold in The Good, the Bad and the Ugly

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I first saw Sergio Leone’s “spaghetti Western”  The Good, the Bad and the Ugly  when it was broadcast by the ABC television network as a Sunday Night Movie feature back in the day when the home video revolution was still a decade away and the Big Three TV networks devoted some of their prime time schedule to air not-quite-new-but-not-quite-old theatrical movies.   Because I was only 10 or 11 years old at the time and wasn’t educated about movies or the film industry, I was not aware that  The Good, the Bad and the Ugly  was the third chapter of Leone’s “Dollars Trilogy” (which also included A Fistful of Dollars  and  For a Few Dollars More ) or that it was originally an Italian-made flick (shot on locations in Spain and southern Italy) titled  Il buono, il brutto, il cattivo  (literally, “The good, the ugly, the bad").  Of course, because I was so young I didn’t quite understand all the nuances – visual and thematic – of Leone’s epic story about three anti-heroic charact

DVD Review: The Pacific

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In 2003, two years after the successful first run of HBO's  Band of Brothers,  a World War II-set miniseries based on the late Stephen E. Ambrose's non-fiction book about a company of paratroopers in the 101st Airborne Division that saw action in Normandy, Holland, the Battle of the Bulge and captured Hitler's Eagle Nest in southern Germany, its executive producers, Steven Spielberg and Tom Hanks, began working on a similar project which focused on the "other war" America fought on the far side of the world against Japan. Before his untimely death in 2002, Ambrose had begun to outline a book about the Navy sailors and Marines who had participated in every offensive action against the Japanese Empire, starting from the 1942 landings at Guadalcanal and ending in the bloody 1945 struggle for Okinawa, the gateway to the Japanese home islands. However, Ambrose - weakened by his losing battle with cancer - found that the war in the Pacific was far more comple

Dispatches From Spain: Going Home and Reflections on Seville

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When I was a 25-year-old college sophomore and majoring in Journalism/Mass Communications, I had the once-in-a-lifetime opportunity to take part in an overseas-study program co-sponsored by Miami-Dade Community College’s Foreign Language Department and the College Consortium for International Studies. At the time, I had just about taken most of the required courses for my Associate in Arts degree except math (my bete noir) and three credits’ worth of the foreign language pre-requisite. I had also, or so I thought, done everything I had set out to do as a reporter/editor at the campus student newspaper, so I was feeling a bit unmoored and restless without a plan for what I figured would be my final year on the staff. Looking back on it now, I’m not sure what, exactly, prompted me to sign up for the Semester in Spain program. Part of it, I’m sure, was a sense that this would be my best chance to go to Europe for a significant amount of time. Maybe it was my journalist’s instinctive