A Certain Point of View: Writing, Film and Stuff

Album Cover Design: Tom Wilkes. Photo by: Angus McBean. (C) 1973 Apple Records On April 2, 1973, Apple Records released two double-LP compilation albums by The Beatles: The Beatles: 1962-1966 and The Beatles: 1967-1970. Known respectively as the Red and Blue Albums (a reference to the colors of the album packaging), the two sets presented 54 of the Fab Four’s best-known songs from their eight-year reign as rock’s premier performing act. Produced by George Martin and Phil Spector, the Red and Blue Albums were compiled by The Beatles’ (and The Rolling Stones’) infamously sleazy agent Allen Klein in response to the bootleg collection Alpha Omega , which was being sold without permission via television marketing. Per Klein, Martin, and Spector’s design,   The Red Album covers the first half of The Beatles’ career, featuring 26 songs written and performed by the “lads from Liverpool” between 1962 and 1966. For various reasons – some artistic, some financial – Klein decreed tha

Album Cover Design: Tom Wilkes. Photo by: Angus McBean. (C) 1973 Apple Records I became a Beatles' fan when I was 17 years old. That’s rather late in life, relatively speaking, in part because my taste in music tends to veer to the classical/orchestral film score end rather than rock. I was less than a year old when the Fab Four made their American TV debut in February 1964. Then I lived in South America from 1966 till 1972 in an environment where I didn’t mix with too many rock and roll fans. That’s why I wasn't really exposed to The Beatles' music until the 1980s, by which time the group had split and John Lennon had been taken away by a madman's bullet. My fascination with the "lads from Liverpool" began in my sophomore year at South Miami High, when a fellow journalism student took the time to write down the lyrics to Paul McCartney's ode to Julian Lennon ("Hey, Jude"). In chorus class I learned the lyrics to "Eleanor Rigby&quo