A Certain Point of View: Writing, Film and Stuff

Cover art by Drew Struzan. © 2015 Del Rey Books & Lucasfilm Ltd. (LFL) Well, I finally did it.  After four years, a cross-state move, and a multitude of ups and downs, including adjusting to life in a new hometown, getting used to living with what amounts to a new family, and now a state of COVID-19 quarantine, I finished reading Alan Dean Foster’s novelization of Star Wars: The Force Awakens. I usually don’t consider the act of finishing a book a huge achievement. I usually finish most of the books I start reading, unless I run into one that I really hate and can’t even get to the halfway mark because, ugh, it’s so awful that I’d rather have my eyes plucked out by crows rather than have to read…one…more…page.   I’ve had that unpleasant experience quite a few times in six decades’ worth of reading, and I’m sure I’ll have it a few more times before I die. The last time I felt that completing a book without skimming through “the slow parts” was worth writing about?

Reviewing  Star Trek: The Motion Picture  is one of those “some say the glass is half-empty, some say it’s half-full” conundrums. Robert Wise’s final science-fiction film is a decent film in some respects, but a dull, even cold and soulless one in others. Greenlit by Paramount Pictures in a bid to compete with 20th Century Fox’s  Star Wars,  the film was  Star Trek  creator Gene Roddenberry’s second and last theatrical production. He didn’t write the screen story (Alan Dean Foster’s ‘In Thy Image,” the treatment for a pilot episode to a canceled TV series titled  Star Trek: Phase Two  was the movie’s starting point), nor did he write the screenplay (Harold Livingston wrote a partial script that was added on to during filming). But he sure loaded it with many of his favorite  Star Trek  tropes and saddled it with an unnecessary amount of pretentiousness and a cold, sterile look that is the antithesis of the television show that begat  Star Trek: The Motion Picture. In brief, here

Although the novelization was published in advance of Star Wars' May 25, 1977 release, George Lucas's film is not based on a pre-existing novel or short story. Poster © 1977 20th Century Fox Film Corporation.  Are the Star Wars movies based on books? No. None of the nine  Skywalker Saga  films or either of the two  Star Wars  Anthology films is based on any pre-existing novel or short story. To recap, the  Skywalker Saga  films consist of: The 1999–2005 Prequel Trilogy ( The Phantom Menace, Attack of the Clones,  and  Revenge of the Sith ) The 1977–1983 Original Trilogy ( Star Wars  or  A New Hope, The Empire Strikes Back,  and  Return of the Jedi ) The 2015–2019 Sequel Trilogy ( The Force Awakens, The Last Jedi,  and  The Rise of Skywalker ) The two   stand-alone Anthology films are 2016’s  Rogue One: A Star Wars Story,  which is a direct prequel to  A New Hope  (and is based on that film’s title crawl), and  Solo: A Star Wars Story,  which is the origin story

© 2002 Del Rey Books (Ballantine) and Lucasfilm Ltd. (LFL)  Which of the Star Wars books tell the stories of the movies? It depends on what you mean by “the stories of the movies,” and in what context. If you mean the stories, characters, situations, and settings of the films themselves, then you’re probably asking about: Dust jacket of the 1977 hardcover. Art by John Berkey. © 1977 20th Century Fox Film Corp.  Star Wars: From the Adventures of Luke Skywalker,  credited to George Lucas but actually written by Alan Dean Foster. (Del Rey Books, 1976) Star Wars: The Empire Strikes Back,  by Donald F. Glut. Story by George Lucas. Based on the screenplay by Leigh Brackett and Lawrence Kasdan. (Del Rey Books, 1980) Star Wars: Return of the Jedi,  by James Kahn. Story by George Lucas. Based on the screenplay by George Lucas and Lawrence Kasdan. (Del Rey Books, 1983) Original 1980 paperback edition of The Empire Strikes Back novelization. Cover art by Roger Kastel.  © 1

Cover art by Drew Struzan. (C) 2015 Del Rey/Random House and Lucasfilm Ltd. (LFL) On January 5, 2016, Penguin Random House's science fiction/fantasy imprint Del Rey published the hardcover edition of Alan Dean Foster's Star Wars: The Force Awakens, the novelization of the film written by Lawrence Kasdan, Michael Arndt, and J.J. Abrams, directed by Abrams, and based on characters and situations.  Though Lucasfilm's corporate parent, The Walt Disney Company, allowed Del Rey to release the e-book edition on December 18, 2015, the same day of the film's theatrical release, it asked the publisher to delay the publication of the hardcover for a few weeks. Disney feared that if it followed the long-standing tradition of releasing the novelization of a Star Wars film before the theatrical premiere, fans would leak the film's plot - especially the "big reveals" that Abrams strove to keep secret - all over the Internet.  However, Disney-owned Lucasfilm p

Since the late 1970s, so many Star Wars movie tie-ins have been published that they’d fill a Star Destroyer’s cargo hold. From novelizations of the screenplays to comic books, radio dramatizations, and even parodies, the publishing industry has given Star Wars fans different means to explore George Lucas’s original six-film space fantasy saga and Star Wars: The Force Awakens over the past 39 years. With less than five months to go before the premiere of Disney/Lucasfilm’s Rogue One: A Star Wars Story, let’s explore the brightest shining stars of the Star Wars literary tie-in universe: Star Wars: From the Adventures of Luke Skywalker, George Lucas (ghost-written by Alan Dean Foster. Published by Del Rey in December 1976 with cover art by conceptual artist, Foster’s adaptation of Lucas’s fourth draft of the Star Wars screenplay gave the world its first peek of that galaxy far, far away. The novel sold moderately well before the film opened in May 1977. After Star Wars became

(C) 2015 Quirk Books Since the late 1970s, so many Star Wars movie tie-ins have been published that they’d fill a Star Destroyer’s cargo hold. From novelizations of the screenplays to comic books, radio dramatizations, and even parodies, the publishing industry has given Star Wars fans different means to explore George Lucas’s original six-film space fantasy saga and Star Wars: The Force Awakens over the past 39 years. With less than five months to go before the premiere of Disney/Lucasfilm’s Rogue One: A Star Wars Story, let’s explore the brightest shining stars of the Star Wars literary tie-in universe: Star Wars: From the Adventures of Luke Skywalker, George Lucas (ghost-written by Alan Dean Foster. Published by Del Rey in December 1976 with cover art by conceptual artist Ralph McQuarrie, Foster’s adaptation of Lucas’s fourth draft of the Star Wars screenplay gave the world its first peek of that galaxy far, far away. The novel sold moderately well before the film ope