A Certain Point of View: Writing, Film and Stuff

Hi, there, Constant Readers. It's Monday, November 24, 2014, and right now the temperature in Miami is 86 degrees Fahrenheit under mostly clear skies. The humidity levels are tolerable, but the heat index outside is 96 degrees. Much too summery for my taste; if it wasn't for all the pre-Black Friday ads online and elsewhere, I'd have forgotten that Thanksgiving is this coming Thursday. I apologize for not being a Constant Writer, folks. I haven't been tending to my blog as much I should, but the complications of being a caregiver to a sick parent, trying to find online revenue streams to replace Epinions and Yahoo Voices (a.k.a. Associated Content), the stresses of managing my household finances, and a host of other issues have made a hash of my plans for "A Certain Point of View."  It's hard for me to find a good balance between my personal and working lives, especially when both inevitably overlap. I've been fairly busy over at Examiner, where I&

When director J.J. Abrams and his collaborators Alex Kurtzman, Damon Lindelof, and Roberto Orci decided to set 2009's  Star Trek  in an alternate timeline apart from  The Original Series  and its spinoffs, they did it to achieve creative freedom. Abrams and his creative team knew that simply inserting a young cast into the established Trek universe would not work.  Star Trek's  lore is nearly a half-century old, and the franchise's loyal fans wouldn't have accepted a reboot that attempted to inject the new cast into the 1966-69 William Shatner-Leonard Nimoy-DeForest Kelley troika's adventures. The effect, I think, would have been too jarring. Star Trek 's time travel-created alternate timeline thus gave Abrams & Co. the necessary flexibility to reinvigorate Gene Roddenberry's old series. As Abrams pointed out in an interview:  "The idea, now that we are in an independent timeline, allows us to use any of the ingredients from the past -

Although I’ve written literally over a thousand reviews about many different products, it’s a fair bet to say that my favorite subject to write about is movies, both theatrical and made-for-TV ones. It all started when I was struggling to find out which beat or section of my high school student newspaper I wanted to be assigned in.  Because I’d been “drafted” into my first journalism class by my ninth-grade teacher before I even set foot inside South Miami High, I literally felt like a fish out of water in Mr. Gary Bridge’s Newspaper Reporting and Editing class. Fortunately, we students were issued a huge hardcover textbook that covered all the essential points of a journalism course.  Topics ranged from what a pica and a font are to the thorny issues of what constitutes libel, and somewhere in between there were chapters devoted to each section (News, Features, Sports, Op/Ed) in an average student newspaper. I browsed through these chapters rather half-heartedly, not really

World War II.  It was the largest and bloodiest conflict in human history, with battles raging on the air, land, and sea from the steppes of the Soviet Union to the steaming jungles of Guadalcanal. Every major world power was a combatant, and after six years of fighting, over 50 million human beings were dead, millions more were wounded or left homeless, and the seeds of the Cold War were planted as the balance of power now shifted to the United States and the Communist-ruled Russia and its unwilling allies in Eastern Europe.  Naturally, even during the war, World War II became a popular subject for filmmakers in all the warring countries. not only as entertainment but also as part of the war effort; both the Axis and Allied camps infused their wartime films with propaganda, sometimes grossly heavy-handed (such as the Nazis'  The Eternal Jew , which stirred up anti-Semitism in Germany and the countries it occupied), sometimes subtly ( Casablanca,  which on the surface seems

The Bonding Stardate 43198.7 (Earth Calendar Date 2366) Episode Production Number: 153 Episode Number (Aired): 52 Original Airdate: October 23, 1989 Written by: Ronald D. Moore Directed by: Winrich Kolbe The Episode:  On Stardate 43198.7, the  Galaxy- class  USS Enterprise  (registry number NCC-1701-D) is in standard orbit over an uncharted and seemingly uninhabited Class-M planet. An away team led by Security chief Lt. (j.g) Worf (Michael Dorn) is exploring the surface. After the away team makes its initial survey, Capt. Jean-Luc Picard (Patrick Stewart) learns that the planet was once inhabited by a culture known as the Koinonians. The Koinonian culture had apparently wiped itself out in a war, leaving only archaeological relics behind. Before the away team beams back up to the  Enterprise,  Lt. Marla Aster (Susan Powell), an archaeologist, is killed when one of the leftover bombs from the Koinonian war explodes. " Away team is aboard, captain. One dead on arrival. " -  Be

www.liberationtrilogy.com For as long as I can remember, I've been interested in almost every aspect of the Second World War, partly because movies such as  The Sands of Iwo Jima  made the war seem like an exciting adventure with "good guys" and "bad guys,' but more importantly because as I grew older I realized that even though wars aren't something to be longed for, the conflict between the Allies and the Berlin-Rome-Tokyo Axis was one of the few justified clashes of arms of modern history, even if some of its causes were the result of bad decisions made by the victors of World War I. As I've grown older, I've noticed that non-fiction books about World War II have evolved from the almost propaganda-like  the Anglo-American Allies fought a brilliant campaign of liberation from 1942 to 1945 with an unprecedented spirit of cooperation and strategic savvy  to the more realistic view of  while the western alliance was one of the most succes

Pros: Strong narrative, a fine tribute to a theater overshadowed by the Normandy invasion Cons: A bit mawkish at times The Bottom Line: The second entry of The Liberation Trilogy has its literary flaws at times, but it really gives readers a good look at the war in Sicily and Italy. When most people who aren't into military history much or have learned just the basics about World War II in high school history classes think about the war, more likely than not they'll recall the Japanese attack on Pearl Harbor, the D-Day landings on northern France, or the Battle of the Bulge. If they are serious war movie buffs, they might even mention the Battle of the Atlantic (via such films as  The Enemy Below, Das Boot,  or  U-571 ), the Battle of Britain, or the strategic bombing offensive against Germany. If the air war over Gernany, the Battle of the Atlantic and the campaign to liberate Northwest Europe have overshadowed the long, bloody, and often frus

In 2002, Rick Atkinson, a former staff writer and senior editor at the  Washington Post,  published the best-selling  An Army at Dawn: The War in North Africa, 1942-1943,  Volume One of the Liberation Trilogy. Critically acclaimed as “the best World War II battle narrative since Cornelius Ryan’s classics,  The Longest Day  and  A Bridge Too Far, ”*  An Army at Dawn  won the Pulitzer Prize in history the following year. In  An Army at Dawn,  the author covers the trials and tribulations of the inexperienced U.S. Army and its allies in Morocco, Algeria, and Tunisia as they sought to eject German and Italian forces from North Africa.   Five years later, Atkinson continued the saga of the Anglo-American campaigns against Nazi Germany in The Day of Battle: The War in Sicily and Italy, 1943-1944.   Again, Atkinson’s account of the long and almost forgotten Mediterranean ventures against what Winston Churchill called “the soft underbelly of the Axis” earned critical and commercial succe

The Departed,  Martin Scorsese's 2006 Academy Award-winning remake of Hong Kong's  Infernal Affairs , marks the New York City native's return to the gritty crime drama genre in which he made his mark back in the 1970s. Instead of turning his cinematic eye on the mean streets of the Big Apple, Scorsese ( Taxi Driver, Goodfellas ) explores the dark underside of Boston, Massachussets in a tale about corruption, the rivalry between the Irish and Italian mobs, and internal strife within Boston's law enforcement officers. Written by  William Monahan ( Body of Lies, Kingdom of Heaven ) and based on the original  Infernal Affairs  script by Alan Mak and Felix Chong,  The Departed  features Jack Nicholson as an aging but wily mobster named Frank Costello. Costello (loosely based on the notorious Whitey Bulger) is a menacing yet seductive gangster who early in the film recruits 12-year-old Colin Sullivan (Conor Donovan) into his circle of criminals. (Costello is shaking down a g